Theatre and Cinema GK MCQs With Answer & Explanation in English

Theatre and cinema have played a pivotal role in shaping the cultural and artistic expressions of societies worldwide. For those keen on mastering general knowledge about these fascinating realms, this article, Theatre and Cinema GK MCQs With Answer & Explanation in English, provides an engaging and educational resource.

From the evolution of dramatic arts to the milestones in cinema history, this guide offers well-crafted MCQs with detailed answers and explanations to enhance your understanding. Perfect for students, aspirants, and enthusiasts, this is your one-stop resource for comprehensive learning in an easily digestible format.

1. Which among the following was India’s first indigenously made color film?

  1. Mughal-e-Azam
  2. Kisan Kanya
  3. Devdas
  4. Daulat

Show Answer

Answer: Kisan Kanya

“Kisan Kanya,” produced by Ardeshir Irani, is renowned as India’s first indigenously made color film, released in 1937. The film is historically significant for introducing color to Indian cinema and marked a major milestone in the development of Indian filmmaking technology.

2. Dhundiraj Govind was the first name of which of the following legends of Indian Cinema?

  1. Dada Saheb Phalke
  2. Dev Anand
  3. Guru Dutt
  4. Prithviraj Kapoor

Show Answer

Answer: Dada Saheb Phalke

Dhundiraj Govind Phalke, popularly known as Dadasaheb Phalke, is often referred to as the Father of Indian cinema. He played a pivotal role in the early Indian film industry and is best known for his silent film “Raja Harishchandra” (1913), which is considered the first Indian full-length feature film.

3. Pandavani is a traditional dance/drama/theatre of which of the following states?

  1. Chhattisgarh
  2. Bihar
  3. Jharkhand
  4. Maharashtra

Show Answer

Answer: Chhattisgarh

Pandavani is a traditional performing art of Chhattisgarh, India. It involves the narration of tales from the ancient Indian epic, the Mahabharata. Typically, the storyteller or narrator, known as the Pandavani artist, narrates episodes and stories related to the Pandava brothers. It is a vibrant and engaging art form that combines storytelling with music and drama.

4. Who among the following produced India’s first dubbed film, Harischandra, in 1944?

  1. A. V. Meiyappan
  2. S. S. Vasan
  3. L. V. Prasad
  4. Kadaru Nagabhushanam

Show Answer

Answer: A. V. Meiyappan

A. V. Meiyappan was a prominent figure in Indian cinema. He is known for producing India’s first dubbed film, “Harischandra,” in 1944, which was dubbed into Tamil. This marked an important step in making Indian cinema more accessible to a wider audience by allowing films to be shown in languages spoken in different regions of India.

5. Which is the oldest amphitheater in the world?

  1. Sitaben and Jogimara Caves
  2. Ellora Caves
  3. Ajanta Caves
  4. Panchmarhi Caves

Show Answer

Answer: Sitaben and Jogimara Caves

Sitaben and Jogimara Caves are ancient rock shelters in India known for their prehistoric paintings. They are situated in the Mirzapur district of Uttar Pradesh. These caves are significant archaeological sites and contain some of the oldest known examples of rock art in the country.

6. Abhijnanashakuntalam is written by whom?

  1. Kalidas
  2. Ashwaghosha
  3. Visakhadutt
  4. Bannabhatt

Show Answer

Answer: Kalidas

“Abhijnanashakuntalam” is an ancient Indian play written by the renowned poet Kalidasa. It is one of his most famous works and is often considered a masterpiece of classical Sanskrit literature. The play tells the story of King Dushyanta and Shakuntala, a young woman of extraordinary beauty and virtue.

7. Which is not written by Kalidas?

  1. Malvikagnimitram
  2. Vikramorvasi
  3. Shakuntalam
  4. Ratnavali

Show Answer

Answer: Ratnavali

Ratnavali is not written by Kalidas. His major works include Malvikagnimitram, Vikramorvasi, and Shakuntalam.

8. Which of the following is not a strict tradition of classical Sanskrit drama?

  1. Well-defined opening, progression, and conclusion.
  2. The hero was male.
  3. They always had a mysterious ending.
  4. They were generally four to seven-acting plays.

Show Answer

Answer: They always had a mysterious ending.

Classical Sanskrit dramas typically followed a well-defined structure with a clear opening, progression, and conclusion. The hero was typically male, and these plays usually adhered to the principles of Sanskrit aesthetics. The classical Sanskrit dramas were known for their intricate language, poetic dialogue, and often consisted of four to seven acts.

9. What is the meaning of Vidusaka in Sanskrit drama?

  1. Hero
  2. Comic character
  3. Heroine
  4. Villain

Show Answer

Answer: Comic character

Vidusaka, also known as the clown, is a comic character that plays an important role in Sanskrit drama. This character provides comic relief in the play and often engages in witty banter, physical comedy, and humorous interactions with other characters.

10. What is a form of Koodiyattam?

  1. Poetry performance
  2. Dance from Tamil Nadu
  3. Sanskrit drama
  4. Folk music

Show Answer

Answer: Sanskrit drama

Koodiyattam, also spelled as Kudiyattam, is recognized as one of the oldest theater forms in India, dating back to the 10th century AD. It is a traditional art form performed by the Chakyar and Nambiar castes of Kerala. Koodiyattam is unique in that it is performed in ancient languages like Sanskrit, Prakrit, and Malayalam, and it is accompanied by traditional musical instruments such as the Mizhavu and Edakka.

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Rohit Puri

Rohit Puri is an experienced educator and passionate advocate for knowledge dissemination in India. With a strong background in education, he has dedicated himself to empowering learners through well-researched and insightful content. As the author of engaging blogs on GK Scoop, Rohit focuses on general knowledge, current affairs MCQs, and essential educational topics relevant to the Indian context. His commitment to fostering a deeper understanding of critical issues makes him a trusted resource for students and educators alike. When he’s not writing, Rohit enjoys exploring new ways to enhance learning experiences and inspire curiosity in the classroom.

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